for After Effects & Premiere

Deadline night,sorted.

19 GPU effects, nearly 600 ready-made moves, LED stage planning and one-click delivery. In After Effects and in Premiere. The AI runs on your own Mac: no uploads, no queues, and client footage never leaves your desk.

Get early access See what it does

Not for sale yet. The beta is invite-only.

fx NP Plexus

0native GPU effects

0ready-made moves, transitions and text animations

AE + PrOne panel, in After Effects and Premiere Pro alike.

0local AI. No uploads, no queues — client footage never leaves your desk.

You know that night.

02:14
“Can we get a vertical too? And a 15-second cut?”
03:40
The LED crew wants a pixel map. You’re still on the calculator.
04:55
The third glow plugin you tried just crashed mid-render.

This panel was written the morning after.

Born at an edit desk.

NoProblem! wasn’t dreamt up in a marketing meeting. It was written on delivery night, at the head of a timeline. Every feature started with the same sentence: “If only this were one click.”

By editors, for editors. Tested on real jobs against real deadlines, with real After Effects and Premiere renders.

Every action is a single Cmd+Z. It never touches your project without asking.

Native effects

One plugin for glow, another for plexus, a third for that Kinect look…

19 effects. All on the GPU, all in one panel.

Glow, Plexus, Trace, Depth · Kinect, Retime, Motion Blur, Denoise, Shot Match and more. Real time on Metal, with every effect’s presets built right in.

Try it yourself.

Drag the divider, play with the sliders. The parameter names match the plugin exactly.

beforeafter

IN 00:00:00:00

Hour savers

OUT 00:00:00:00

Biggest impact first. Each one comes with an honest estimate of the hours it hands back every week.

Deliverables

The 2:14 a.m. message: “Can we get a vertical too? And a 15-second cut?”

12 versions. One click.

From one master: 16:9, 9:16, 1:1, 4:5 and 21:9, at 60, 30, 15 and 6 seconds. Every file gets a version number, and nothing is ever overwritten.

Gives you back 0 hrs per week · estimate

Library

How many times this month have you rebuilt the same transition?

Nearly 600 moves. Double-click. Done.

Looks, transitions, text animations and titles, each with a preview rendered in After Effects. Hover and it plays. Don’t like it? One Cmd+Z.

Gives you back 0 hrs per week · estimate

So far, per week0 hrsAnd you’re not even halfway.

NP Stage

The LED crew wants a pixel map and you’re still on the calculator.

Draw the stage in metres. The rest builds itself.

Enter the screens in metres or LED cabinets: NP Stage works out every resolution, the pixel map and the output canvas, and builds a comp for each screen. Check it all in a 3D previz, from the camera or from any seat in the hall. The LED crew gets a dimensioned technical PDF and a Resolume preset; show day gets pixel-exact HAP or ProRes files. Move a screen and rebuild — your content stays put.

Gives you back 0 hrs per event · estimate

Event Pack

Redrawing the countdown for every LED size?

Build it once. It fits every screen.

11 styles, 28 pieces each: countdowns, lower thirds, sponsor walls, agenda, speaker timer, Q&A with QR, break screens and the award moment. From 16:9 to 48:9 and down to 9:16; resize the comp and it lays itself out again.

Gives you back 0 hrs per event · estimate

So far, per week0 hrsDouble that in event week.

Retime · Upscale

Nobody shot it in slow motion. And it’s 1080p.

It writes the in-between frames. It does the 4K.

Retime generates new frames with AI for smooth slow motion. Upscale takes footage to 2×, 4×, 4K or 8K. Both run on your Mac’s Neural Engine and GPU: no uploads, no queues, and they keep going offline. Even NDA footage never leaves your desk.

Gives you back 0 hrs per week · estimate

Beat FX Sync

Still dropping a marker on every beat by hand?

It listens to the track. It cuts on the beat.

It finds the tempo, the beats and the downbeats, then locks transitions, looks and effect pulses to every beat, every bar or every Nth beat. In After Effects and in Premiere.

Gives you back 0 hrs per week · estimate

Data Templates

A hundred names for lower thirds. In Excel.

Paste the sheet. Every row becomes a comp.

CSV, Excel or Google Sheets. Long names shrink to fit their box and your styling stays put. Lower thirds, language versions, product cards.

Gives you back 0 hrs per week · estimate

Loop · Camera

The loop point still jumps.

Last frame, then first frame. No seam.

Seamless loops by crossfade, by AI in-betweens, or by finding the best loop point for you. Handheld camera feel from a single null: every selected layer breathes together.

Gives you back 0 hrs per week · estimate

So far, per week0 hrsThat’s our week, not yours. Work out your own below.

IN 00:00:00:00

Your week

OUT 00:00:00:00

Plug in your own numbers. It’s an estimate, and the maths is right next to it.

Jobs per week4 Versions per job8 Lower thirds & cards per week40 Effect setups per job5

Time you get back each month

00:00

hours : minutes

The maths: a version takes 12 min by hand, 1 min with NoProblem! · a card 3 min by hand, 12 s with NoProblem! · an effect setup 15 min by hand, 2 min with NoProblem! · a month is 4.3 weeks.

Beta · invite-only

Be one of the first.

We’re growing the beta with a small group of editors. Tell us what you make and we’ll get back to you personally.

Questions? Write to us.